Uovo Table Lamp
AVAILABLE FOR PRE ORDER. Arriving July.
By Ben Swildens 1972 for Fontana Arte
Dimensions: 270mm w x 440mm h
Table lamp with diffused, dimmable light. Diffuser made of white blown glass with a satin-finish. Base made of white painted metal.
Bulb not included.
A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.
AVAILABLE FOR PRE ORDER. Arriving July.
By Ben Swildens 1972 for Fontana Arte
Dimensions: 270mm w x 440mm h
Table lamp with diffused, dimmable light. Diffuser made of white blown glass with a satin-finish. Base made of white painted metal.
Bulb not included.
A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.
AVAILABLE FOR PRE ORDER. Arriving July.
By Ben Swildens 1972 for Fontana Arte
Dimensions: 270mm w x 440mm h
Table lamp with diffused, dimmable light. Diffuser made of white blown glass with a satin-finish. Base made of white painted metal.
Bulb not included.
A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.
